Table of Contents
Vol. 5 No. 1
Nov 2003
Intercultural Musicology
An Internationally Reviewed Bulletin of the Centre for Intercultural Music Arts
London, U. K.
Published by MRI Press
P. O. Box 70362
Point Richmond, CA 94807-0362 USA
ISSN 1536-8039
Copyright © MRI Press
2003 |
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Teachers' Day Programme for the 8th Biennial International Symposium and Festival:
Tuesday 30th March 2004
INTERCULTURAL MUSIC ARTS AND EDUCATION
(UNIVERSITY OF LONDON INSTITUTE OF EDUCATION INSET ONE DAY COURSE REF: A440A & B)
Target Group:
Course Aims:
Course Outline & Content |
09.30-10.00
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Registration
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10.00-10.20
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Intercultural music arts education and the
curriculum: some issues, problems and possibilities
Robert
Mawuena Kwami, UK/Ghana/South Africa
There will be a brief discussion
of some conceptual issues and problems relating to the role of
intercultural music arts in educational contexts. This will then be
followed by a consideration of some general possibilities for teachers.
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10.20-10.30
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Break
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10.30-12.00
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Workshop 1: Music of Greece and Cyprus goes to
school: song, play and
dance
Pepy Michaelides, UK/Cyprus
The aim of the workshop is to
introduce and to enhance the participants’ musical experiences with
music from Greece and Cyprus and to extend their repertoire of teaching
material. The presenter will give a brief background of the history and
the characteristics of Greek and Cypriot Music. In doing so, she will
provide a practical hands-on musical journey involving a variety of
activities. Participants will explore rhythmic and melodic patterns
through singing, playing, improvising and dancing. Audio examples will
be provided. The participants will receive handouts and material to
facilitate implementation in their practice in music education.
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12.00-13.00
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Lunch
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13.00-14.00
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Workshop
2: African songs and mnemonics – movement – instrumental
accompaniment - an approach for the classroom
Robert
Mawuena Kwami, (UK/Ghana/South Africa)
Drawing
on a corpus of African songs, including those from Kwami’s (1998) African Songs for School and
Community: A Selection from Ghana, participants will be taken
through a process of how to teach and combine the various aspects –
song, dance and instrumental accompaniment using Kwami’s ‘3M’
(mnemonics – movement – music) model which is based on indigenous
African methods of music education. The model represents an abridgement
of the enculturation process, and requires internalisation on the part
of students and their teachers. The model also highlights the
importance of oral-aural musical literacy which is a relevant mode of
musical transmission at and for all educational phases or levels.
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14.00-14.15
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Break
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14.15-15.15
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Workshop 3: Intercultural music and the QCA scheme
of work
(John
Harold, UK)
This workshop is intended to
enable classroom teachers to deliver the curriculum more effectively.
The QCA Scheme of Work for Primary School music deals with Exploring
Pulse and Rhythm in Nursery, Reception Years 1 & 2 (pupils aged 5
& 6). Modules in Years 3 & 4 (pupils aged 7 & 8) deal with
Exploring Rhythmic Patterns and Pentatonic Scales, while modules in
Years 5 & 6 deal with Exploring Rhythm and Pulse and Exploring
Lyrics and Melody. Workshop ideas will take into account the Key Stage
experiences and requirements of the teachers involved and will provide
ideas that can be used immediately in class.
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15.15-15.30
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Plenary Session:
Classroom applications (with Workshop Leaders)
This
session, with the workshop leaders, will primarily consider how the
musical arts dealt with in the workshops can be applied in various
curricular contexts. There will also be an opportunity to consider
other aspects of intercultural music arts education and the aims of the
Centre for Intercultural Music Arts.
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