Report on the 5th International CIMA Symposium and
Festival held at City University, London (Akin Euba)
Music Making as an Expression of a Changing Asian American
Identity: The Music of Liu Oichao and Lee Pei Ming (Weihua
Zhang)
The Conflict Between National Identity and Interculturalism in
Contemporary African Art Music: The Case of Ghana's
Cultural Policy and the Ghana National Symphony Orchestra (George
Dor)
Chinese Pipa Pieces composed in the 20th Century (Wu Ben)
Cross-cultural Collaboration: Composing a New Work with I.
Nyoman Wenten - Reminiscences (Elaine Barkin)
Borrowing or Stealing? Celebration or Global
Village? Interculturalism in Contemporary Music from a
Composer's Point of View (Leigh Landy)
Derivation of Organic Music Structure and Materials from the
Solutions of Schröedinger's
Equation (Rajmil Fischman)
The Music of John Mayer: An Intercultural Composer from
India (John O. Robison)
Towards an Intercultural Analysis of Black Classical
Music: A Study of Fela Sowande's Works (Bode Omojola)
Black Classical Music in British Schools" A
Preliminary Study (Robert Mawuena Kwami)
Encompassing Diversity - An Experiment in Music Course Design
(June Boyce-Tillman and Malcolm Floyd)
