|
In this Issue
SOLD
OUT
Vol 3 Nos. 1-2 (December 2001):
- Identity and Style in the Music of Fela Sowande (1905-1987)--Bode Omojola
(Nigeria)
- Dance in Yorubaland: Case Study of the Ogun Festival in Oyan--Yasuko Endo
(Japan)
- Acculturation and Identity: Musico-Cultural Experience and Interpretation
among Berlin
“Immigrant” Populations after the Fall of the Wall--Gabriele Berlin
(Germany)
- Review of Intercultural Music Volume 2--Daniel Avorgbedor (Ghana)
- A Report on the Symposium and Festival on Composition in Africa and The
Diaspora, Churchill College, University of Cambridge 2-4 August 2001--Akin
Euba (Nigeria)
- Composition in Africa and The Diaspora - Three Landmark Organ Recitals -
August 2001--Mike Wright (UK)
Guidelines for Authors
- Submit one copy of material related to your contribution on hard copy and also on diskette, if possible on an "ASCII" file using Word Perfect or Microsoft Word for IBM PC compatible computer.
- Manuscripts must be typed on one side of the sheet and double spaced (including footnotes quotations, song texts, references cited, indented materials and captions for illustrations).
- Manuscripts should be in English and observe British or United States conventions of usage, spelling and punctuation. If a manuscript is submitted in another language, and English translation must be included.
- The text should not exceed 2000 words (or roughly 8 pages double spaced format on 8 1/2" x 11" sheets).
- References cited are carried within the text, e.g. (Kimberlin 1995: 134) by listing the author's surname and the publication date and the page number(s) of the source of the information.
- Bibliographic citations must be typed on a separate sheet. Give the complete citation using the format illustrated below:
Hood, Mantle
1960 "The Challenge of 'Bi-Musicality'". Ethnomusicology 4/2
Nketia, J.H.K.
1986 "Perspectives on African Musicology", in Africa and the West: Legacies of Empire. Isaac James Mowoe and Richard Bjornson, eds.
|
|
